Legendary Brazilian group Orquestra Afro-Brasileira are reborn for first new album in over fifty years, produced by Beastie Boys collaborator Mario Caldato Jr.
Led by maverick composer Abigail Moura, Orquestra Afro-Brasileira were one of the most influential yet overlooked groups in Brazilian music history. Operating for almost thirty years until 1970, they released just two albums - the first of which, Obaluayê, has recently been reissued by Day Dreamer Records - and left behind a legacy of Afro-Brazilian consciousness that continues to resonate today.
Combining Yoruba spirituality, folk tales, Candomblé chants and West African percussion with the instrumentation of the big band jazz tradition in the United States, the Orquestra placed Afro-Brazilian heritage in a new and vital context. Weaving emancipatory narratives into complex poly-rhythms and powerful, syncopated horn lines, the group educated and enlightened all those who saw them perform.
For Abigail’s protégé and percussionist on the group’s 1968 album Carlos Negreiros, the message of the group’s music had a profound impact: “I became aware of what it is to be black,” he says, “discovering the extraordinary potential of the Afro-Brazilian culture in the making of the national ethos.”
Now the last remaining member of the original Orquestra, Carlos was tracked down by producer Mario Caldato Jr. - whose credits include Beastie Boys, Marcelo D2 and Seu Jorge among others - to oversee the first new album of Orquestra Afro-Brasileira material since 1968.
“I was overwhelmed with the percussive rhythms, beautiful deep vocals and combined energy,” Caldato Jr. explains. “It felt like the most authentic Brazilian roots music I had ever heard. It was raw and dynamic, a pure organic sound and energy. It was a spiritual experience.”
Alongside arranger Caio Cezar, Carlos assembled his Orquestra to record five tracks at Berna Ceppas’ Estudio Maravilha 8 studio in Rio De Janeiro. With percussion, horns and vocals cut in single takes over three days, the session captured the intuitive, pure and natural spirit of the group in full flow.
Following the success of the initial session, five additional tracks were recorded at the iconic Estudio CIA dos Tecnicos in Copacabana to complete the album. Mixed by Caldato Jr., 80 Anos is a contemporary incarnation of Abigail Moura’s vision, bristling with the flair of the original recordings.
“This is an important continuation of the Orquestra Afro Brasileira sound and movement that is still strong and relevant today,” Caldato Jr. says.
Presented alongside Day Dreamer’s reissue of Obaluayê, 80 Anos celebrates 80 years since the formation of the group, bringing its trailblazing legacy into the spotlight for a new generation of musicians and listeners alike.
released October 8, 2021
Produced by: Mario Caldato, Carlos Negreiros & Caio Cezar Sitonio
Mixed by: Mario Caldato at MCJ Sound, LA.
Produced for vinyl release: Neal Birnie & George Camdonius
Artistic Direction: Carlos Negreiros
Musical Direction & Arrangements: Caio Cezar Sitonio
Engineers: Leo Moreira, Felipe Esteves, William Lune
Master and Lacquer Cut by: Martijn Schouten
Executive Directors: Cély Leal & Sam Caldato for Amor in Sound
Research: Anton Spice
Sleeve Concept: Pat Simplicop e Belmiro Neto
Additional Sleeve Design: Kai Damian Matthiesen
Session1: Recorded at Estudio Maravilha 8
Session 2: Recorded at Estudio CIA dos Tecnicos
This is a gorgeous recording , moving and genuinely spiritual . Pharaoh Sanders has such a deep reservoir of feeling to offer . I have been a fan of his music since the sixties and “Tauhid” ! He just gets better & floating Points is the perfect foil. Listen, loosen and float slow. Jake Bialos
The entire group's groove dynamic is so fucking amazing. Shout out to Nubya Garcia, Joe Armon Jones, Daniel Casimir and that drummer Femi Koloeso. Keep making good music!!!
btw the tuba's solo was above and beyond my imagination Raven Branwen